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† Obituary
NO!art
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F
FRANK-KIRK EHM-MARKS, born Jan 28, 1961 in Bad Kreuznach. Freelance artist and author [poem, short prose]. Literary fields of activity are Underground and Social Beat. Since 1984 his texts and drawings have been published by small publishing houses, some of them self-published, often in the context of Copy Art and endart. — He died on January 26, 2022 in the age of 60 in Berlin. Urn burial will take place on 3/22, 12:00, under 2G covid conditions at Old St. Matthew's Cemetery.
2022 FRANK-KIRK EHM-MARKS | Obituary by Erik Steffen
2011 FRANK-KIRK EHM-MARKS WERKE | Zum Goldenen Hahn, Berlin-Kreuzberg
OUTSIDER ARTIST | Reboot.fm | Freies Künstlerradio, Berlin
WE DO IT FOR THE HEARTBEAT | Lesung | COOP Anti-War, Berlin
LANGE BUCHNACHT | Lesung | Kreuzberg Museum, Berlin
2008 VOLL IM LEBEN | Lesung mit Florian Günther | Lesecabinet, Berlin
TRINKER, TRÄUMER, TUNICHGUTE | Lesecabinet Berlin
LESUNG | Schmitz Katze, Berlin
2005 GEHIRNKREBS | Elchkeller, Berlin
2004 FRANK-KIRK EHM-MARKS | Galerie Susanne Zander, Köln
EINTÖNIGES LEBEN | Buchpräsentation, Kaffee Burger, Berlin
ZEICHNUNGEN UND TEXTE | Kunstraum B, Kiel
HECHTFANG | Lesung im Elchkeller, Berlin
STIMMENRAUSCH IN DER BANNMEILE | Lesung | Berliner Buchmesse
2003 NO!-ON-SHOW | Gllery Berlin Art Project, Berlin
SOUND@NO!art in BUCHENWALD — German Braindead Terzett, Berlin
NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR
NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.
